The Chalet for Riekes Crisa Bears
For me personally, the most intriguing and/or satisfying things about my collecting Chalet are:
: getting a quirky or rare piece,
: recognizing and honouring the artists that made the glass,
: getting something on my “unicorn” list for my collection and,
: getting new information or verifying a “theory.”
And, if and when a piece can bring more than one to the table, that makes for quite a memorable moment!
I had such a “moment” just recently when I purchased a lot of five Chalet Riekes Crisa clear crystal animal figurines – the arched back cat, the pointed ear owl, the mallard duck, the swan, and the panda.
Now, since these are all shown in the Riekes catalogues that we have seen and since some of these production figurines are not particularly rare, why was this a moment for me? Well, firstly, the panda is quite scarce and I had never seen it in person. Next. the seller claimed that they all had their original labels which is unusual in a lot but, more intriguing, I could see that a few also seemed to retain retail store price stickers.
So, I purchased as not only did I want to add the panda to my collection to keep my Riekes koala company but, I also wanted to see those retail stickers! And after waiting for about two weeks, so I did. As listed, each figurine did indeed still have its original Riekes Crisa label but the incredible bonus was that each also retained a retail price sticker from “Boscov’s”. The duck actually has two.
My new and repatriated panda:
The panda’s Boscov’s store sticker reads $2.99. US dollars. I made 1973 the base year for translating the “then” pricing into “today” pricing as we know Riekes was a Chalet distributor from that point. Inflation was factored in until 2023 which put the pricing equivalent today at $20.55 US which is $28.04 CDN.
So, all four factors regarding my “moment” covered:
: the panda is definitely a rarer and quirky piece,
: I can recognize and honour the artists who made these pieces through this article as I have photographs linking certain artists to certain pieces,
: it has been on my “list” since I realized that Chalet Maestro Giulio Gatto blew these and,
: I was able to obtain and verify information regarding distribution and sales as well as get a real sense of time and place for these Chalet products.
Reasons number two and three were the most important regarding this purchase as I had a sentimental reason for wanting the panda. What? It’s very important to me, and has been since meeting the artists in 2010, that I can relate to the glass personally as well as learn about it in a historical perspective. One of the ways to do this is to see if I can connect the making or design of any piece to the “Faces of Chalet.” To my immense satisfaction, I have been able to do so quite often.
Some examples:
I have a Riekes koala bear that I like to think Chalet artist Gianfranco Guarnieri blew.
I have an avventurina “buddha belly” owl and silver filled polar bear that I like to think are the work of Chalet Maestro Bruno Panizzon.
I also have a green Chantili stickered Chalet Christmas tree that I picture Chalet artists Roberto De Marchi and Giovanni Voltalina working together to make.
One of the most stunning mouth blown Chalet vases I have came from the family of Chalet artist Giovanni Voltalina. It was blown by either Maestro Sergio Pagnin or Maestro Luigi Tedesco (also Chalet owners). Jean Paul Voltalina, son of Giovanni, could not remember which artist had blown it. His father was present while it was being made and ended up taking it home.
And now I have another piece, my new panda, that I know could have been blown by Maestro Gatto. I already have a lemon and a banana that were gifts from him. Very cherished pieces.
Why is knowing about the pieces themselves and who made them so important to me? Well, these “men from Murano” and their wives and family members have helped me and our community add to our knowledge of Lorraine, EDAG, Chalet, Rossi, and Mosaic immensely over the years. Starting in 2010 during the Cornwall exhibit, they are still answering questions and providing details today. And, since we have so little verified data about the “who, why and when” of these Canadian glasshouses, every little scrap of research that materializes into “fact” is priceless. And their generosity in sharing their experiences and the wonderment they feel at “so many questions” warms my heart.
So, now to the specifics of the Riekes bears. Chalet produced two very unusual bear figurines for this American distributor - a kola bear and a panda bear. We know from Chalet artist Gianfranco Guarnieri that, “The Americans always wanted something different.” They are both clear crystal and in upright poses.
The koala as shown in the 1976 Riekes General catalogue. Item #3136-69 and it is listed as 8” in height. We are fortunate to know the history of how this piece came into production.
Paolo De Marchi, son of Chalet artist Roberto De Marchi, also has a sentimental attachment to this piece. His childhood baby sitter was Vivian Guarnieri (Gianfranco’s wife) and his father worked with Gianfranco for many years. As well, the Italian community in Cornwall is very close.
Although the koala is listed on its own (as shown above) in the 1976 Riekes General catalogue, in the later undated catalogue, it is now part of an assortment. It is included with four other figurines in Assortment #82704.
The panda is also shown in both catalogues. However, in each case, it is part of Assortment #7439-69. It is never featured on its own.
My panda figurine is 5 inches tall. Remember differences from inventory listings are typical as each of these pieces was hand blown. Variation between the same forms of Chalet was expected.
As the wind up to the article, I thought I should include the video of the figurines unboxing and the placement of my new panda. Warning: some scenes may be disturbing for sensitive viewers.